Love Makes the Postage Meter Go ‘Round (The New U.S. Love Stamp)
Robert Indiana’s sculpture Love is an iconic Pop art image of the 1960s, born in 1966, during the first years of the Vietnam War, and speaking to the ideals of a nation already tired of that divisive conflict. Versions of the piece dot the United States, from New York City to Phoenix, Indianapolis to New Orleans, and the world, gracing parks in Taiwan, China, Portugal, Israel, and England, to name just a few of the places where it has turned up. Yet it is as a postage stamp, first issued in 1973, that Indiana’s work of art may be best known—and, for a stamp designer, daunting company to keep.
New York–based artist Jeanne Greco, well known as a designer of conceptual imagery for such firms and products as Swatch, Barbie, and film director Francis Ford Coppola’s California winery, was up to the challenge. “In recent years,” she says, “I have found my designs shrinking in size: I like to work within the borders of a limited space.” Few spaces are more limited than a postage stamp, of course; as a thought experiment, try making a meaningful image in that tiny panel yourself, and you’ll see how many difficulties immediately present themselves.
When the U.S. Post Office approached Greco to make an updated Love stamp, she found herself wanting, as she recalls, “to depict a type of mature love, one of compassion and devotion,” and to do so as succinctly as Indiana while using a mixture of lettering and visual imagery....
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