Decoding Dan Brown by Simon Cox
The Leo Frank Case--Now a PBS Documentary by Thomas Doherty
The World Turned Inside Out: American Thought and Culture at the End of the 20th Century by James Livingston
What More We Can Learn from "On the Waterfront": An Interview with James T. Fisher by Rodger D. Citron
Beyond Diversity: The Cosmopolitan Dilemma by Jim Cullen
How the Short, Unruly Life of ‘Ramparts’ Magazine Changed America: An Interview with Peter Richardson by Aaron Leonard
Fadeout at the Box Office: The Decline of Movie-going by Jim Cullen
Neverland, Nevermore by Kirk Bane
The Amazin’ Mets: Baseball and the Amazing Summer of 1969 by Ron Briley
To Kindle or Not to Kindle by Jim Cullen
Bruce Springsteen and American History by Louis P. Masur
Somebody Forgot to Mention that the Ships the Artists Painted Carried Slaves by Pearl Duncan
My Woodstock by Jim Castagnera
Bruno’s American Dream by Jim Cullen
Does the New Dillinger Movie Speak to Our Worries? by Ron Briley
Will Moviegoers Want the Real Story of John Dillinger? by Elliott J. Gorn
The Best History of Country & Western Music. Ever. by Kirk Bane
Ronald Reagan and the Day the Earth Stood Still by Robert Brent Toplin
Another Reason for Remembering Dock Ellis by Rodger Citron
W.: History and Psychology from Oliver Stone by Robert Brent Toplin
What's Wrong with HBO's Dramatization of John Adams's Story by Jeremy Stern
Why Ernie Davis Matters by Yanek Mieczkowski
The Dark Knight: An Allegory of America in the Age of Bush? by Ron Briley
The Legacy of Pulitzer-Prize Winning Cartoonist Bill Mauldin: An Interview with Biographer Todd DePastino by Robin Lindley
"Recount": Fact and Fiction by Mark Weisenmiller
Johnny Cash's Folsom at Forty by Kirk Bane
Year One of the Empire: Why We Wrote a Play About the Spanish-American War by Joyce Antler and Elinor Fuchs
Ridley Scott's American Gangster and the Myths of the Vietnam War by Jeremy Kuzmarov
'Rap Music Invented in Scotland'? Nonsense! Rap Music Is American, of African Roots by Pearl Duncan
Charlie Wilson’s War, the Culture of Imperialism and the Distortion of History by Jeremy Kuzmarov
Is Country Music Inherently Conservative? by Peter La Chapelle
Review of "My Name is Rachel Corrie" by Mary Ann Fay
The Myth of Rachel Corrie by Ronald Radosh
Was CNN's "God's Warriors" Fair? by Timothy R. Furnish
Sicko: Michael Moore and Freedom from Fear and Want by Ron Briley
Invasion USA (1952): It Can Happen Here by Ron Briley
Norman Rockwell: How Innocent Was He? by Richard Halpern
The Uneasy Relationship Between Money and Morals in Book Publishing by Richard L. Cravatts
The Most Dramatic Moment in Major League Baseball History by George Beres
The Vietnam War and Modern Memory by Ron Briley
The Da Vinci Code: A Fun Bunch of Hooey by Cathy Schultz
Flight 93 ... No Flight of Fantasy by Timothy R. Furnish
Review of "The Boy in the Bubble" by Barron H. Lerner
Clint Eastwood's Iwo Jima by David McNeill
Jarhead Nation by Jerry Lembcke
How Accurate is Munich? by Steve Bowden
Terence Malick’s The New World: A Creation Myth for a Lost World by Ron Briley
Glory Road: The Mixed Legacy of the 1966 NCAA Men’s Basketball Championship by Ron Briley
Brokeback Mountain and the New Western History by Ron Briley
Munich: A Descent into Moral Ambiguity by Ron Briley