Three Recommendations ...
Instead of the New York Times train wreck of an obituary for Jacques Derrida, read Scott McLemee's article for the Chronicle of Higher Education. Why wouldn't the newspaper of record understand that an intellectual's obituary should discuss his ideas, as one for a politician would pay attention to her record or an artist of his work?
John Kerry's Secret Weapon? A Jewish Grandmother. Hat tip to Patrick Belton at Oxblog.
In the spirit of Cliopatriarchal bi-partisanship, here's a link to Daschle v Thune, the blog of South Dakota State University historian, Jon Lauck. Memo to David Horowitz: a Republican history professor, who is not forced into discrete silence. He even writes for National Review.


The NYT article
There also seemed to be a large number of hostile quotes from people who thought Derrida was wrong. Now although I think that (what I understand as) deconstructionism is a blind alley, it seems a little ungracious to not make at least a token attempt to understand it and to let it speak in its own words.
And I don't know how exactly to write an obituary for someone whose results I didn't find particularly useful or profound.
Re: The NYT article
"Needless to say, one more time, deconstruction, if there is such a thing, takes place as the experience of the impossible."
I hope that cleared things up -- I'd hate to be mistaken for a narrow-minded loyalist to analytical philosophy.
Re: dancing
My sympathies aren't kneejerk elicited in terms of diversity of any kind. You will find me unimpressed with Aristotle's physics, to the point where I don't think his views need be expressed in physics departments as a matter of diversity. But perhaps you think the analogy not apposite, and that philosophy more approaches poetry than science. I believe there is progress of a sorts in philosophy, and that Quine is far superior to the muddled mutterings of, say, Bergson.
Derrida poses certain problems for a discussion of his work in an obituary. One could quote him, but I'm afraid the obituary would suffer, since his pronouncements are deliberately vatic, so as to elude clear understanding but provide work for a cottage industry of interpreters. One would have to fall back on interpreters, who would argue among themselves -- forget for the moment the occasions where Derrida contradicts himself. Still, difficulties and all, one could make the attempt.
The Times reached a compromise of sorts. It had an obituary. And it had an appraisal. So maybe an obit should discuss the work, but to what depth? Is it an aknowledgment of Derrida's influence that he had a separate appraisal, where Quine did not?
I would add that an obit of DeVoto that proclaimed him a great historian would similarly be a train wreck.
dancing
One could argue that disciplinary boundaries are artificial. Still, it's a little irksome to be told ad infinitum by literary types what a great philosopher Derrida was. With allowances made for hyperbole, how would historians take to being lectured by literary types that Bernard DeVoto was the greatest historian of the frontier?
But that suggests another question. An obit is not a festschrift (I probably blew the spelling). Nor is it a critical examination of a life's work. Just what are the accepted outlines of an obituary such that it is distinguished from other forms?
Re: dancing
Beyond that, your point isn't in response to what I said. An obituary that ignored Bernard De Voto's work and concentrated on gossip would be a train wreck of an obituary.
Re: dancing