Any film that so blatantly commits the time travel fallacy like Terminator 2 cannot possibly be on this list. (Terminator does it as well, but I don't consider it a critical plot element as it clearly is in T2.)
A film that I think needs to be on the list (and which nicely segues into this blog) is When Worlds Collide. The film has very interesting things to say about private efforts to preserve the human race from destruction in the face of failure by the government.
Dan has pointed out precisely one of the films I was referring to as having slipped my mind but which certaonly deserve mention - When Worlds Collide is interesting for exactly the reasons Dan cites.
This conversation takes me back... As an undergrad econ/phil double major at Michigan, I took a "Philosophy of Space and Time" course from Larry Sklar, who I later learned is at the very top of the philosophy profession on these issues. I adored that course and Sklar, who was the model of the great scholar AND teacher, as we talked about a whole bunch of cool stuff, these sorts of paradoxes included. I wound up writing my term paper on "The Planet of the Apes" movies, raising just the sorts of issues we're raising here. When I got the paper back, I got a 98/100 from Sklar. I've done a lot of stuff to be proud of in the last 20 years, but that 98 ranks up there with any of them. :)
The Time Travel Paradox is a plot line in which there is a single future (multiple branching futures don't have this problem, at least not if they're handled properly). If someone from the future affects the past in such a way as to substantially change the future, then it is unlikely that someone from that future would come back to make the change.
This is sometimes refered to as the "Grandfather Paradox": if you go back in time and kill your grandfather before your parent is born, then you would never exist, and could not, in fact, have come back into the past to kill your grandfather.
Terminator and TimeCop are the worst perpetrators of the paradox, but it's pretty common. Back to the Future has the virtue of being funny about it....
Star Trek's "City on the Edge of Forever" (by Harlan Ellison) skirted it by having them fix the changes, allowing the future to indeed unfold in their direction again, and subsequent Star Treks have (usually) adhered to the dictum that "if you end up in the past, don't change it!" (in later shows, it's called the Temporal Prime Directive, or something like that).
All time best time travel story ever: Robert Heinlein's "By His Bootstraps", in which time travel is a closed circle of causality.
One film which does a nearly perfect job with respect to time travel is Twelve Monkeys -- a highly underrated film in my view.
If you pay close attention to the various instances of time travel in the film (and there are quite a few), they only run into the paradox once. In every other instance it is done correctly.
That is why it is typically a good idea to simply avoid time travel in the first instance, unless the author is going to pay particularly close attention, which they almost never do, but which the author clearly did in Twelve Monkeys.
By the way, I disagree that The Terminator is especially bad in this regard (unless you mean T2 and T3 in which case I agree). The paradox presented in The Terminator is not an essential plot element. [Spoilers follow.] If the Reese-as-Sarah-Connor's-son thing is removed from the film, the story remains intact. It's annoying, but it is forgivable because the entire film doesn't depend on it. Its simply thrown in there for its twist appeal.
Remove it and the film is just as good, if not better.
Actually, I would argue that Terminator is entirely based on a Grandfather paradox: the mission of the Terminator was to eliminate someone so annoying that they would send someone into the past (a huge effort) to target them, when success in the mission would imply the negation of the need for the mission, thus making the mission not happen so that Connor would, in fact become a problem.... it's still the same paradox.
You can add on the implausibility that a person could follow you back to stop you, since presumably any changes you make in the past happen, effectively, instantaneously in the present. (TimeCop got that right)
The first time Trek used time travel, they concluded by saying "hey, now we can go back in time whenever we want!" Fortunately, the writers had the good sense to do so very rarely.
Dan, Reese isn't Sarah Connor's son. He's the father of John. I'm sure that's what you meant to say ;-)
I agree that 12 Monkeys does an excellent job handling the time-travel paradox. Not sure it would make my ten-best list. I'll have to give that some thought. I'd be interested in seeing the top-10 list of the pariticipants in this thread.
by Dan Schmutter on August 27, 2004 at 1:17 PM