Cecilia Strandroth: She draws attention for her claim that Farm Security photogs were part of an elaborate propaganda effort
By analyzing some lesser known photographs, taken by world famous documentary photographers, art historian Cecelia Strandroth relates a new history of the Depression Era in the United States. She will publicly defend her dissertation at Uppsala University on December 14.
Can documentary photographs be regarded as credible depictions of events in the world or are they rather staged representations of a special perspective? Do documentary photos take part in the struggle against injustice or are they in fact instruments of those in power? These questions have been discussed intensively over the last few years and a particularly relevant in terms of the photographs that Cecilia Strandroth studies in her dissertation, taken during the 1930s by photographers employed by the Farm Security Administration, U.S. government authority.
The photographs are classics of the documentary genre. Walker Evans and Dorothea Lange's images of the suffering of destitute farmers in the American South have become part of the American national heritage. Today they are symbols of the Great Depression of the 1930s and are said to show the resilience of the American people. The country survived the Depression and went on to win World War II.
Cecilia Strandroth's dissertation brings to light another history of the FSA. By examining seldom studied photographs, she reveals a history of politics, marketing, and propaganda. The photographers were employed to advertise the policies the Franklin D. Roosevelt pursued as president, the famous package of measures known as the New Deal.
"Rather than representing an idealistic depiction of the living conditions of the country's poorest people, the FSA photographers were part of an effective marketing apparatus," she says....
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Can documentary photographs be regarded as credible depictions of events in the world or are they rather staged representations of a special perspective? Do documentary photos take part in the struggle against injustice or are they in fact instruments of those in power? These questions have been discussed intensively over the last few years and a particularly relevant in terms of the photographs that Cecilia Strandroth studies in her dissertation, taken during the 1930s by photographers employed by the Farm Security Administration, U.S. government authority.
The photographs are classics of the documentary genre. Walker Evans and Dorothea Lange's images of the suffering of destitute farmers in the American South have become part of the American national heritage. Today they are symbols of the Great Depression of the 1930s and are said to show the resilience of the American people. The country survived the Depression and went on to win World War II.
Cecilia Strandroth's dissertation brings to light another history of the FSA. By examining seldom studied photographs, she reveals a history of politics, marketing, and propaganda. The photographers were employed to advertise the policies the Franklin D. Roosevelt pursued as president, the famous package of measures known as the New Deal.
"Rather than representing an idealistic depiction of the living conditions of the country's poorest people, the FSA photographers were part of an effective marketing apparatus," she says....