SOURCE: The Atlantic
James Hughes is a Chicago-based writer and editor who has contributed to Slate, The Believer, Wax Poetics, and The Village Voice. For a decade, he was an editor and publisher of Stop Smiling magazine and its book imprint. In 1985, Stanley Kubrick was handed a book on the survival of jazz in Nazi-occupied Europe. A snapshot of a Luftwaffe officer casually posing among black, Gypsy, and Jewish musicians outside a Paris nightclub caught his eye. It looked like something out of Dr. Strangelove, he said. He'd long wanted to bring World War II to the screen, and perhaps this photograph offered a way in."Stanley's famous saying was that it was easier to fall in love than find a good story," says Tony Frewin, Kubrick's longtime assistant (and, for the purpose of disclosure, an editor-at-large at my former magazine, Stop Smiling). "He was limitlessly interested in anything to do with Nazis and desperately wanted to make a film on the subject."
- Historian Tom Engelhardt Revisits His First Piece of Critical History – 48 Years Later
- Heather Cox Richardson: Trump isn’t the first president to compare himself to Jesus — the last one who did ‘planned to lead his white supremacist supporters to victory’
- Historians' archival research looks quite different in the digital age
- Senate Historian Daniel S. Holt Featured on Political Theatre Podcast
- The Way We Do the Things We Do: Making History-Making Visible