SOURCE: New York Times
A recently unearthed negative review of "Citizen Kane" bumped the film classic out of Rotten Tomatoes' "100% Club" of films, and placing it behind some unlikely competitors, including "Paddington 2" and "Toy Story."
SOURCE: USA Today
Historians Fact-Check 'Mank': Who Really Wrote 'Citizen Kane?' And Does 'Rosebud' Have A Hidden Meaning?
Film historians suggest the new Netflix drama overstates Frank Mankiewicz's influence over the final form of "Citizen Kane" and takes some other liberties with the facts.
SOURCE: The New Yorker
Welles is careful to distinguish actors from stars: “The real star is an animal absolutely separate from actors. He may be, or she may be, the greatest actor in the world, but he is not like actors. The vocation of being a star is separate from the vocation of being an actor. It is very close to wanting to be President of the United States.”
SOURCE: The Guardian
Memos show media mogul William Randolph Hearst’s executives conspired to undermine Welles and stop release of film.
by Bruce Chadwick
Why is America still so crazy about Orson Welles after all these years?
Orson Welles’ infamous 1938 radio program did not touch off nationwide hysteria. Why does the legend persist?
In 1941, Orson Welles made his debut as a feature film director with “Citizen Kane,” a fact well known to everyone who has ever taken Film 101.Less well known is that “Kane” wasn’t Welles’s debut as a filmmaker. That distinction belongs to “Hearts of Age,” an eight-minute parody of an avant-garde allegory that Welles, as the world’s most precocious teenager, codirected with a friend, William Vance, at the Todd School for Boys in Woodstock, Ill. Amazingly, that 1934 effort, in which Welles wears old-age makeup that anticipates the elderly Kane, has survived, and can even be seen on YouTube.But neither was “Kane” Welles’s first professional encounter with the cinema. That happened three years before his Hollywood debut, in the form of about 40 minutes of footage intended to be shown with “Too Much Johnson,” a revival of an 1894 farce that Welles intended to bring to Broadway for the 1938 season of his Mercury Theater.
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