• The Captive Photograph

    by Ariella Azoulay

    The taking of photographs of enslaved people by Harvard scientist Louis Agassiz, and the university's continued ownership of those images, constitute a crime against humanity, argues a theorist and historian of visual culture. The images demand an ethic of care to replace an ethic of ownership, which is a model for restorative justice for slavery.

  • The Photographers Who Captured the Great Depression

    Intended as a promotional program for New Deal agricultural programs, the Farm Security Adminstration's sponsorship of Gordon Parks, Walker Evans, Dorothea Lange and other photographers sparked an aesthetic revolution. 

  • How the 'New Woman' Blazed a Trail of Empowerment

    A new retrospective examines the artistic production of women at the intersections of new photographic technology and rising currents of racism and antisemitism in early 20th-century Europe. 

  • How the George Floyd Uprising Was Framed for White Eyes

    Some of the most iconic news photographs of the Civil Rights Movement told a particular story to white liberals – that Black protesters were passive victims needing their help, instead of actively fighting for freedom. Those photos today help define the mainstream limits of "acceptable" protest. 

  • "The 1921 Tulsa Race Massacre: A Photographic History"

    Historian Karlos K. Hill discusses his new book, a compilation of photographs of the Greenwood section of Tulsa before, during, and after the 1921 racist pogrom against the "Black Wall Street." 

  • Reverberations of the Photography of Jazz

    by Jeffrey Mifflin

    The photographs of William Gottlieb and other observers of jazz's golden age deserve more attention for capturing and creating the aesthetics of the music. 

  • Photography Always Needed the Presidents

    by Cara Finnegan

    In the 1840s, the new technology of photography staked its place in the culture as an authoritative, reliable recording of events through the creation of images of the presidents or, in the case of George Washington, pictures of pictures of the presidents. 

  • And in the Beginning, There Was Gordon Parks

    "What astounded the actor Richard Roundtree about Parks when he was cast to play a suave and unflappable Harlem detective — and, in a sense, the first Black superhero — in “Shaft,” was how closely the character resembled the director himself."

  • Corky Lee, Who Photographed Asian-American Life, Dies at 73

    Corky Lee viewed his camera as a weapon in the fight against stereotyping and discrimination against Asian Americans, and documented many important moments in the histories of Asian communities in New York and the US. 

  • 'His Work is a Testament': The Ever-Relevant Photography of Gordon Parks

    "Deborah Willis, the chair of photography at the Tisch School of the Arts at New York University, has curated Parks’s work in over 30 exhibitions. She says that the photographer was not only there to document everyday life during turmoil for many African Americans, but to give them hope."