photography

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• SOURCE: Insider
  5/10/2023
  

  The US Government Hired Dorothea Lange to Document the Japanese Internment, then Censored Her Photos

  The War Relocation Authority hired Lange and Ansel Adams, hoping to polish the public image of internment. Lange's photos, which revealed the harsh conditions of camps and the human tragedy of removal from homes and neighborhoods, were shelved. 

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• SOURCE: Washington Post
  12/16/2022
  

  Stephen Shames's Photos Document the Lives and Activism of Black Panther Party Women

  As a college student, Shames built trust with the members of the BPP and documented their activism. Now, working with former member Ericka Huggins, a book of those photos preserves the history. 

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• SOURCE: The Atlantic
  9/14/2022
  

  Baldwin Lee's Rediscovered Photos Deepen Understanding of the South

  Many white photographers documented the south with a paternalistic frame on their Black subjects. The New York-born son of Chinese immigrants, Lee proceeded from the premise that he knew nothing about the post-Jim Crow South and had to learn. 

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• SOURCE: Washington Post
  8/30/2022
  

  Collection of Pet Photos Shows the Changing and Enduring Relationship of People and Dogs

  Anthony Cavo's collection of photographs shows the changing relationships of people and their pets, as well as the changing technology of photography. 

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• SOURCE: Washington CityPaper
  8/11/2022
  

  A Lost Archive of DC Life at Midcentury

  Rescued from a dumpster minutes before the arrival of the garbage truck, Ray Honda's photographs captured DC at the dawn of the civil rights era and the vibrant Black culture of the city. 

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• SOURCE: The Nation
  6/7/2022
  

  The Second Destruction of Tulsa's Black Community

  by Karlos K. Hill

  Photographer Donald Thompson has set out to capture a visual history of Tulsa's Greenwood district, an African American community decimated first by the 1921 race massacre and then by urban renewal in the 1970s. Historian Karlos Hill interviews him about his work. 

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• SOURCE: Places Journal
  5/30/2022
  

  Gordon Parks's Photos Show the Labor Keeping Weapons of World War II Greased

  Gordon Parks's photographs showed the humanity of the workers in the nation's massive war mobilization, notably at a Pittsburgh grease plant. 

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• SOURCE: Washington Post
  3/9/2022
  

  How Journalists Decide What War Photos are Too Awful to Publish

  The publication of war photos has long involved a balance between public information, respect for the dignity of the dead, and the politic of information in wartime. 

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• SOURCE: NPR
  2/22/2022
  

  Black People at Work, Play and Rest are a Picture of American Democracy

  Smithsonian NMAAHC curator Aaron Bryant talks about photographs that tell untold stories about American history and life. 

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• SOURCE: New York Times
  12/7/2021
  

  Met Acquires Landmark Photo Archive of NY Black Life

  “[James Van Der Zee] is a central figure, a significant artist, in telling the story of people of African descent,” said Thelma Golden, director and chief curator of the Studio Museum. “The photographs are testaments to beauty and power, and he captured the Harlem community and the African American community in all its possibilities.”

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• SOURCE: Hyperallergic
  11/15/2021
  

  Doris Derby’s Searing, Intimate Photos of the Civil Rights Movement

  Doris Derby didn’t just chronicle the movement with her camera; she also actively contributed to its causes.

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• SOURCE: Made By History at the Washington Post
  11/9/2021
  

  A Met Exhibition on Women in Photography Shows All Achievements by Women Don't Need to be Celebrated

  by Kelly Midori McCormick

  Why did the Metropolitan Museum use a photo of the imperialist Japanese photographer Sasamoto Tsuneko as an exemplar of women's achievements in the medium? 

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• 10/24/2021
  

  Portrait of the Artist as a Businesswoman: Dorothea Lange’s Lost San Francisco Years

  by Jasmin Darznik

  Dorothea Lange's early work as a portrait photographer for San Francisco's elite seems at odds with her famous documentary work of the Depression. But that work sharpened her sense of aesthetics and of her own place in the world, foundations of her more famous later period.

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• SOURCE: Boston Review
  9/23/2021
  

  The Captive Photograph

  by Ariella Azoulay

  The taking of photographs of enslaved people by Harvard scientist Louis Agassiz, and the university's continued ownership of those images, constitute a crime against humanity, argues a theorist and historian of visual culture. The images demand an ethic of care to replace an ethic of ownership, which is a model for restorative justice for slavery.

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• SOURCE: The Atlantic
  9/16/2021
  

  The Ongoing Battle over Photographs of the Enslaved at Harvard

  Tamara Lanier has continued to fight Harvard over the ownership of photos of her enslaved ancestors, which were commissioned by the influential race scientist Louis Agassiz.

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• SOURCE: Washington Post
  8/16/2021
  

  Comparing Images of Helicopters Leaving Saigon and Kabul is Too Simplistic

  Post Art and Architecture columnist Philip Kennicott examines the history and politics of famous images from 1975 and this week that have been put in dialogue with each other.

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• SOURCE: JStor Daily
  8/2/2021
  

  The Photographers Who Captured the Great Depression

  Intended as a promotional program for New Deal agricultural programs, the Farm Security Adminstration's sponsorship of Gordon Parks, Walker Evans, Dorothea Lange and other photographers sparked an aesthetic revolution. 

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• SOURCE: BBC
  7/5/2021
  

  How the 'New Woman' Blazed a Trail of Empowerment

  A new retrospective examines the artistic production of women at the intersections of new photographic technology and rising currents of racism and antisemitism in early 20th-century Europe. 

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• SOURCE: Mother Jones
  6/10/2021
  

  How the George Floyd Uprising Was Framed for White Eyes

  Some of the most iconic news photographs of the Civil Rights Movement told a particular story to white liberals – that Black protesters were passive victims needing their help, instead of actively fighting for freedom. Those photos today help define the mainstream limits of "acceptable" protest. 

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• SOURCE: Jacobin
  6/8/2021
  

  Lewis Hine, Photographer of the American Working Class

  Lewis Hine's photographs, including for WPA arts programs, "contributed to an aesthetic of worker empowerment through images of strife and solidarity."