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Peggy Noonan: On Political Leadership in a Crisis

Katrina is a huge and historic story. The human cost, the financial cost, the rendering uninhabitable of a great and fabled American city--all of it amazing. A quick look at the good, the bad, and the let's-shoot-them-now.

Political leadership in times of crisis is a delicate thing. You have to be frank about the fix you're in without being demoralizing. You have to seem confident without seeming out of touch with reality. You have to be human without indulging all your very human emotions. Rudy Giuliani set the modern standard on 9/11, and in a way that is not remarked upon. All his public statements were brilliantly specific. He told you exactly what resources were on their way to do what and where and why; he told you the No. 4 subway had been diverted west and then south until 11 a.m. Saturday; he told exactly which blocks were closed off and for how long; he told you New York would come back and then he told you why and how. His leadership was a masterpiece of specificity. That he had the facts at his command left people feeling: Thank God, someone's in charge, I can take care of me while he takes care of the city. That's what people want in a time of crisis. ...

President Bush. The political subtext: Does he understand that what has happened in our gulf is as important as what is happening in the other gulf? Does he know in his gut that the existence of looting, chaos and disease in a great American city, or cities, is a terrible blow that may have deep implications? It was bad luck that on the day it became clear a bad storm was a catastrophe he was giving a major Iraq speech, and bad planning that he arrived back at the White House cradling a yippy puppy. But his Rose Garden statement was solid. Yes, it was a laundry list, but the kind that that gives an impression of comprehensive government action. Having the cabinet there was good. His concern was obvious. But more was needed in terms of sending a U.S. military presence into New Orleans. ...

The media. Excellent as always in time of crisis. We all love to hate them, but when a story like this comes along you're glad Anderson Cooper decided to stand there up to his butt in snakes and alligators to tell you about the city that's become a swamp. You're glad the anchors are so crisp and contained, you're glad Brian Williams is in the Superdome telling you what's going on. They're rich and celebrated, our media stars, but when stories like this come they earn it. Not sufficiently celebrated: television cameramen, who do much of what Anderson Cooper does only while walking backwards and with their eye in a viewfinder. They're good.

Read entire article at WSJ