How Complicated Was MLK? Far More than Time Magazine Thought When It Chose Him as Man of the Year in 1963
Forty years ago, Martin Luther King, Jr., was Time's"Man of the Year." Oddly enough, as I re-read that
year's cover story recently, Dick van Dyke's lively
song and dance routine in Mary Poppins ran in my
head.
Step in time, step in time
Step in time, step in time
Never need a reason,
Never need a rhyme,
Step in time, step in time
We step in time.
Mary Poppins premiered in 1964, but that's not why
I thought of it in connection with Time's story about
King. Its cover story of the year reminded me
just how deeply flawed, short-sighted and time-bound
that story really was.
Surely, 1963 was the single most important year in
post-World War II America. It was the most significant
in African Americans' 20th-century struggle for
civil rights. Beginning with the dramatic and extended
stand-off in Birmingham, Ala., it continued in
brutal confrontations throughout the South, the
momentous March on Washington, the tragic bombing of
Birmingham's 16th Street Baptist Church, and the
assassination of President John F. Kennedy. It
challenged King more deeply than ever before. Yet Timeutterly failed to capture the ways in which the times and
the man had met.
Time's coverage of King as its"Man
of the Year" played off the perspective of forty years
earlier. When King was born, said Time,
someone like the 1920s sage, H. L. Mencken, could
still write:"The educated Negro of today is a
failure, not because he meets insuperable difficulties
in life, but because he is a Negro. His brain is not
fitted for the higher forms of mental effort; his
ideals, no matter how laboriously he is trained and
sheltered, remain those of a clown."
Step 'n fetch it, step in time
Step 'n fetch it, step in time
Never need a reason,
Never need a rhyme,
Step 'n fetch it, step in time
Step 'n fetch it, step in time.
If a white world's image of African America's
possibility starts with Mencken's views, the road to
recovery is a long one. That is a clue to the
limitations of Time's image of its"Man of the Year"
in January 1964.
Martin Luther King's recent biographers tell us far
more about him than reporters in 1963 could have
known. Yet some of the flaws in Time's report would
have been clear to those close to King. He"dresses
with funereal conservatism (five of six suits are
black, as are most of his neckties). He has very
little sense of humor," said Time."He never heard of
Y. A. Tittle or George Shearing, but he can discourse
by the hour about Thoreau, Hegel, Kant and Gandhi."
Where do you begin to unpack such images of King?
With the fact that a black suit and tie -- not his
childhood tweeds or late zoot suit fashion -- were
appropriate ministerial dress? Or with the fact that
he preferred them to be of silk?"He has very little
sense of humor."
Clearly, the reporter fell victim to some of
King's masking, a distancing mechanism. Friends
knew that, at ease, he had a robust, earthy sense of humor.
"Y. A. Tittle or George Shearing"? Time dims
the importance of knowing who some white
athletes and musicians were. Discoursing"by the hour
about Thoreau, Hegel, Kant and Gandhi"? Well, yes, he
could do that. It was news to some readers of Time
that an African American might do that, but a part of
King's discoursing was an image King was creating of
himself. In letters, he thanked friends for"a work of
supererogation" so he could explain to the less well
educated friend what"a work of supererogation" was.
Time's reporter didn't understand that Martin Luther
King also knew about Stepin Fetchit. By 1964, he had
spent two decades cultivating an image that
distinguished who he was from a white world's limited
view of what he could be. Black suits and a sober
public demeanor helped to clarify things.
Surprisingly, Time's coverage of King as"Man of the
Year" in January 1964 refers to neither his"Letter
from the Birmingham Jail" nor his"I Have a Dream"
speech. Had you mentioned their now time-worn phrases
forty years ago, few people would have known what you
were talking about. Both of them took form in 1963 and
only subsequently became his most familiar texts."Letter" was scrabbled together by King's lieutenants
from notes he sent to them from jail. It wasn't
published until well after his release and only slowly
won the attention it now holds."I Have a Dream" was a
classic example of King's oratory, mixing new rhetoric
with fixed pieces which had long played in his
repertoire.
Time's attention to King's oratory is also surprising
in another way. Subsequent writers have focused on how
it worked by mixing the familiar and the poetic to
build an audience's affirming response. The"Man of
the Year" cover story drew attention to King's
rhetorical failures."For a man who earned fame with
speeches, his metaphors can be downright
embarrassing," said Time. Indeed, sometimes they were."For Negroes, he says, 'the word"wait" has been a
tranquilizing Thalidomide,' giving 'birth to an
ill-formed infant of frustration.' Only by 'following
the cause of tender-heartedness' can man 'matriculate
into the university of eternal life.' Segregation is
'the adultery of an illicit intercourse between
injustice and immorality,' and it 'cannot be cured by
the Vaseline of gradualism.'"
But metaphors that don't work on paper often do work
orally and subsequent examinations of King's speech
rightly focus on his rhetoric's successes rather than
its failures. Time's "Man of the Year" coverage of King tells us as
much about white American attitudes in race relations
as it did about King himself. Of them, he would tell
us,"They're not what they ought to be, they're not
what they're going to be, but thank God Almighty,
they're not what they were." Forty years later, Martin
Luther King's step in time was clearly larger than
even Time imagined.
King in Time, King in Time,
King in time, King in time;
As for the reason and the rhyme,
His was the reason, his the rhyme.
Thank God Almighty,
M. L. King did step in time.
Related LinksRalph Luker, Guide to Internet Sources on Martin Luther King, Jr.
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