Ralph R. Donald: An Appeal to Fear Ain’t Nothin’ New
Ralph Donald examines the similarities between the rhetoric found in war films of the World War II era and the rhetoric used by President Bush in America’s wars against terrorism in Afghanistan and against Saddam Hussein and in Iraq. He compares the propaganda appeals used by the makers of popular Hollywood feature films during World War II to the speeches in which President Bush attempts to persuade the American people to support his wars against Al-Qa’eda and Iraq.
In the World War II-era feature propaganda film, China (1943) on the morning of the Pearl Harbor attack, an American named Jones (Alan Ladd) stages a climactic debate with a Japanese general. The Japanese officer boasts:
General : Contrary to public belief, the Japanese people have always held your country in great esteem. Yes, we have finally decided to take it away from you. In fact, we have already moved toward that aim [he looks at his watch], and the fate of Pearl Harbor will be the fate of all so-called free democracies that dare to oppose the Imperial Japanese Government. We and our allies, for the ultimate good of all nations concerned, have determined to establish a new world order.Jones : General, in all the countries that you and your gang have put the finger on, there are millions and millions of guys just like me pretty much living their lives in the same pattern. And the pattern of our lives is freedom. And it's in our blood, giving us the kind of courage that you and your gang never dreamed of. And in the end, it's that pattern of freedom that'll make guys like you wish you'd never been born!
In a speech to the United Nations General Assembly September 12, 2002, U.S. President George W. Bush said:
Saddam Hussein’s regime is a grave and gathering danger. To suggest otherwise is to hope against the evidence. To assume this regime’s good faith is to bet the lives of millions and the peace of the world in a reckless gamble. And this is a risk we must not take … We must choose between a world of fear and a world of progress. We cannot stand by and do nothing while dangers gather. We must stand up for our security, and for the permanent rights and the hopes of mankind. By heritage and by choice, the United States of America will make that stand. (www.whitehouse.gov Sept. 12, 2002)
From the outset of his evolution, Homo Sapiens has been a territorial creature who instinctively defends his property against outsiders. (Ardrey 1) In the history of war rhetoric in the United States, appeals to defend ourselves against an invading “other” have been popular ploys. In World War II, American popular film was awash with films that implied or even clearly outlined a real threat to the nation, American homes, families, religious freedoms and the American way of life. The territorial imperative, as Ardrey referred to his theories and his book, was a primary appeal of 1940s American war propaganda. And in subsequent wars in Korea and Vietnam, the appeal to fear to defend the homeland against the potential of communist attack and takeover continued. A popular approach to invoke territoriality was based on a speech in 1954 by President Dwight D. Eisenhower, in which he introduced the “domino theory” to war propaganda. Actually a hypothesis, not a theory, what has been nonetheless called the “domino theory” postulated that if the march of communist takeovers was not stopped in those Asian countries, one-by-one -- like dominoes – these countries would fall to the communists, as would their neighbors, and eventually America would be cut off and endangered by the forces of a “red” world.
In the 1980s, President Ronald Reagan used Eisenhower’s domino theory to justify American involvement in both legal and illegal anti-communist activities in Central America and Caribbean countries.
But for the sake of brevity and focus, and also because President George W. Bush often tries to connect the current crisis with the dangers facing the U.S. during World War II, this essay limits its discussion to an examination of the similarities between the territoriality appeals found in war films of the World War II era and the immediate present (America’s wars against terrorism in Afghanistan and against Saddam Hussein and in Iraq since Sept. 11, 2001). First will be an analysis and description of territorial propaganda appeals used by the makers of popular Hollywood feature films during World War II. And to show that an effective propaganda ploy has no expiration date, these appeals will then be compared to those found in speeches in which President Bush persuades the American people to support his wars against Al-Qa’eda and Iraq. ...