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Robert Fisk: An urge to smash history into tiny pieces

What is it about graven images? Why are we humanoids so prone to destroy our own faces, smash our own human history, erase the memory of language? I've covered the rape of Bosnian and Serb and Croatian culture in ex-Yugoslavia – the deliberate demolition of churches, libraries, graveyards, even the wonderful Ottoman Mostar Bridge – and I've heard the excuses. "There's no place for these old things," the Croat gunner reportedly said as he fired his artillery battery towards that graceful Ottoman arch over the Neretva. The videotape of its collapse was itself an image of cultural genocide – until the Taliban exploded the giant Buddhas of Bamian.

And yet there I was earlier this week, staring at another massive Buddha – this time in the Tajiki capital of Dushanbe, only a few hundred miles from the Afghan border. So gently was it sleeping, giant head on spread right hand, that I tiptoed down its almost 40ft length, talking in whispers in case I woke this creature with its Modigliani features, its firmly closed eyes and ski-slope nose. Saved from the ravages of iconoclasts, I thought, until I realised that this karma-inducing god had itself been assaulted.

The top of its head, eyes and nose are intact, but the lower half of its face has been subtly restored by a more modern hand, its long body, perhaps three-quarters new, where the undamaged left hand, palm on hip, lies gently on its upper left leg above the pleats of its original robes. So what happened to this Buddha? Surely the Taliban never reached Dushanbe.

A young curator at Dush-ambe's wonderful museum of antiquities explained in careful, bleak English. "When the Arabs came, they smashed all these things as idolatrous," she said. Ah yes, of course they did. The forces of Islam arrived in modern-day Tajikistan in around AD645 – the Taliban of their day, as bearded as their 20th-century successors, with no television sets to hang, but plenty of Buddhas to smash. How on earth did the Bamian Buddhas escape this original depredation?

The Buddhist temple at Vakhsh, east of Qurghonteppa was itself new (given a hundred years or two) when the Arabs arrived, and the museum contains the "work" of these idol-smashers in desperate, carefully preserved profusion. Buddha's throne appears to have been attacked with swords and the statue of Shiva and his wife Parvati (sixth to eighth centuries) has been so severely damaged by these ancient Talibans that only their feet and the sacred cow beneath them are left.....
Read entire article at Independent (UK)