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Tom Stoppard: 1968 ... The year of the posturing rebel

In 1968 I was living the good life with my first wife and first baby in our first house on the swell of my first play and was beginning to be noted by my peers as someone who was politically dubious.

It was to be some years before a well known left-wing director, asked to typify a “Royal Court play”, replied that it was a play not written by Tom Stoppard, but I was already conscious of a feeling in myself which detached me from the prevailing spirit of rebellion when bliss was it in that dawn to be alive but to be young was to be where it’s at.

The feeling I refer to was embarrassment. I was embarrassed by the slogans and postures of rebellion in a society which, in London as in Paris, had moved on since Wordsworth was young and which seemed to me to be the least worst system into which one might have been born – the open liberal democracy whose very essence was the toleration of dissent.

I had not been born into it. You don’t need to be a qualified psychologist to work out that in England in 1968, 22 years after I arrived, I was much more disposed to champion my adoptive country than to find fault with it. For all I knew to the contrary, if my father had survived the war (he was killed in the Far East) he would have taken his family back to my birthplace in Czechoslovakia in 1946 and I would have grown up under the communist dictatorship which followed two years later. ...
Read entire article at Times (UK)