Blogs > Cliopatria > Skills and Bias

Apr 25, 2005

Skills and Bias




Erin O'Connor links to a fascinating post at the Writing Program Administration list-serv. The gist of the story: three students in an introductory composition class complained to the university ombudsman (a position that lots of schools don't even have) after a male, African American TA penalized them for disagreeing with his opinions on race in America. Contrary to the assignments listed on the syllabus, he spent three weeks of his course"showing films about government conspiracies to keep inner city blacks addicted to drugs and about police brutality against blacks." The administration at the institution seems to have handled the issue well after the students complained, although originally, the director of the program (who looked into the matter and discovered that the students' complaints seemed meritorious) was chastised by his department chair for, in his words,"a)questioning the motivations of the undergraduates who were complaining and b)expressing surprise that someone with my political views (I'm fairly easily identified as very liberal in my department) would question a teacher trying to expose students to racism in our country."

The comments at Erin's post suggest that few of her readers are particularly surprised by this tale; I'm not, either. At Brooklyn, we have a two required composition courses, taught mostly by grad students. Because the courses are skills rather than content-oriented, instructors have considerable leeway about what material they bring into the classroom; from the varied reports I receive from students, many instructors simply use the course to assign papers oriented around whatever political crusade has captured their fancy that term. (The worst single example I encountered came after an English 2 adjunct chastised a student, in writing, for quoting from the"Jew York Times.")

Brooklyn, obviously, is extreme on such matters: we have a provost whose written mantra is"teaching is a political act," while, as Derek Catsam noted the other day at Rebunk, lots of institutions and departments, such as his own, don't view the ideological agendas of their faculty as preeminent in their concerns.

That said, skills courses strike me as particularly vulnerable to improper use by instructors who see little wrong in bringing their non-academic political and ideological preferences into the classroom. It is for this reason, I suspect, that organizations such as the AAC&U, which advocates restructuring college curricula around such goals as training"global citizens" or"teaching diversity skills," so aggressively champion a greater emphasis on skills in teaching. For, in the end, all courses must have content. But while there's only so far anyone can range in teaching, say, a US history survey or any other course organized around a specific content set without violating academic norms, a course devoted solely to teaching students skills such as critical writing or reading can have as its subject matter virtually anything. Students can just as easily write a short essay analyzing Shakespeare as they can write a paper discussing why, say, academic organizations should boycott Israeli universities. In an ideal world, peer pressure, if nothing else, would exist against the kind of teaching reported in the WPA link. I wish I were more confident that, in the real world, such peer pressure actually existed.



comments powered by Disqus

More Comments:


Jeff Vanke - 4/25/2005

I have taught College Composition II as part of a European History survey course. Yes, it was hard work, but it can be done. Because of chronological narratives vs. thematic organization, though, I would not recommend History as the first field to use for content in a writing skills course.

But students ought to be able to choose History over literary analysis, if they prefer. Not everyone is suited to the latter, or to any given subject, for focusing on writing improvement.

In a convoluted way, Guilford College (where I taught for five years) has faculty in every field teaching second-term composition. The contorsion act was (and remains) in having faculty in all fields teach history in the same course, which removed the History requirement from the History Department.

And KC, it's quite probable that by removing composition from the exclusive province of English Departments, colleges will leave students less exposed to politicization in the resultant skills courses, rather than more. (Let's presume that colleges will continue to require the same amount of composition instruction.)


Adam Kotsko - 4/25/2005

In my undergraduate institution, everyone wrote their comp papers on why evolution was a lie or about the horrible plague of abortion. I also had many classes -- including even phys ed -- where the class was mainly made up of devotional material.


Carl Patrick Burkart - 4/25/2005

These composition classes are necessary, mostly because students do not come to college with the appropriate background. How else are they going to learn to write? There isn't time in a history survey course to spend on intensive composition (imagine grading ten papers per student in the course of a semester).

The problem is that the heavy grading load makes it necessary to keep classes really small. No one likes teaching these kinds of classes and there aren't enough faculty members in an English department to staff it. Therefor, inexperienced graduate students (some right out of college) must teach these classes. This fact is unfair to the graduate students and the undergraduates. It is also at the root of the overproduction of English Ph Ds.

The solution is to tie composition classes to different disciplines. There is no reason that a biology professor or a philosophy professor cannot teach composition as well as a literature professor (to say nothing of a 23 year old graduate student with minimal training). Still, composition classes would have to remain focused on writing, even if the the subject matter was biology or business. At least this way, students could chose which departments to take their composition courses in.