Another note on Jill Lepore's New Yorker review
In exquisite prose, rare among those in the historical profession, Lepore achieves multiple aims in these five pages. First, she weaves a masterful narrative setting Philbrick's current effort against the work of Harvard's fabled historian Samuel Morison. Second, she reminds us why her own scholarly work "crosses over," garnering awards among people in the scholarly profession and among regular folks who read nonfiction books on airplanes. Finally, she teaches. Never speaking down to her audience, she explains by hinting and pointing what historical research is all about, and why, when done carefully and rigorously, is a far cry from journalistic writing. Her piece is short, but full of insight on every page. It will be a standard on my reading lists for undergraduates in years to come.