Blogs > Cliopatria > American Studies Road Trip

May 30, 2006

American Studies Road Trip




It’s that time of year, as excellent posts by Caleb McDaniel and Kevin Levin remind us, and I too have been (re)designing the courses I’ll be teaching next fall. I have one new course to prep (20th Century U.S. History) and one course I’ll be repeating (American Studies).

Some people asked me to describe my American Studies course after I mentioned it in a post-Katrina post nearly a year ago, but I got so busy teaching it that only now have I had much of a chance to reflect on the class and how it went. It was a learning experience, as any first-year professor’s courses are going to be, but it really was a joy to teach. Our undergraduate program in American Studies is brand new, and the faculty very generously gave me a free hand to do almost anything I wanted with this seminar. In a lot of ways I got to teach my dream course.

One of the few design specs they gave me was that I should not reproduce the perfectly good U.S. history survey we already have, so I designed American Studies 200 as a kind of anti-survey.

I tried to think of the course as an anthology instead of a narrative, a road trip rather than a bird's-eye-view. Rather than stepping back to survey the nation as a whole, we zoomed in on very specific times and locales. Rather than a sweeping chronological narrative, I offered several staccato portraits. Of course, I hoped and planned for larger themes to emerge, but I banished any pretensions of completeness, any illusions that we would somehow cover it all. Most of my students were planning to concentrate on American Studies so I was not forced to wrestle with the potentially paralyzing fear that this was the only course on the subject they were ever going to take.

Instead, I had the luxury to take up a really rather narrow question—what has “America” meant to different people in different times, and what consequences have those meanings had? Each week we examined a different place and a different historical moment where America and what it meant was constructed, contested, or otherwise up for grabs. (Don’t tell anyone, but I got the idea for the course while outlining a “secret Americana” book I wanted to write for the late lamented role-playing game Unknown Armies.)

When we were talking here about transnational history, I think just about everybody had problems with the idea of the nation as an unmarked category, a “container” that frames the history we tell but never gets questioned itself. I flatter myself that my course did the reverse: here the nation and what it meant was the subject of analysis, but not the frame. I did this not by widening the lens to study the globe but by narrowing it to look at individual locales.

I think it’s easy to underestimate the extent to which American politics, identity, and life remained locally and regionally oriented and distinct, right up to the Second World War or so. Canadian students, and a lot of Canadians who aren’t students too, are especially prone to do this. I expect my students know more about the U.S. than most American students know about Canada, but they are still given to making very broad generalizations about Americans, and inclined to see the United States as a single monoculture. This view is officially endorsed by the mantra of every civics class they’ve ever taken: “the U.S. is a melting pot, Canada is a mosaic.”

Anyway, here are the places and times we visited in the course this past year. I took a few classes to introduce the field (what is “American Studies,” anyway?—but that’s another post) and then we got down to it:

  • Massachusetts Bay Colony, 1630-1693
  • Virginia, 1676-1776
  • Boston, 1773-1776
  • New Orleans, 1814-1860
  • The Burned-Over District, 1830-1848
  • Philadelphia, 1844-1865
  • Gettysburg, 1863 and after
  • Chicago, 1871-1894
  • Buffalo Bill’s Wild West, 1883-1916
  • Oz, 1892-1907
  • Cuba & The Philippines, 1898
  • New York, 1920-1929
  • The Dust Bowl, 1931-1939
  • Hawaii, 1941-1945
  • Suburbia, 1950-1963
  • The Mississippi Delta, 1955-1966
  • San Francisco, 1966-1969
  • Orange, Cobb, & Johnson Counties, 1971-1994
  • Los Angeles, 1991-2001
  • Tokyo, Moscow, and Baghdad, 2001-present

Since somebody always asks, “Oz” has nothing to do with HBO—that’s Oz as in Dorothy and her little dog Toto too. That’s the week we talked about Populism and bimetallism, the great merger movement and the rise of big business in America. We considered the old Henry Littlefield theory that The Wizard of Oz was a “parable on Populism” but we also discussed William Leach’s (to me) more convincing argument that Oz is an ad man’s fairy tale, a guilt-exorcising celebration of the dawning consumer culture.

There were a few hiccups with the way I’d set up the course. “Places in time” are all very well, but I can see now that I need to provide some connective tissue. My students had varying levels of experience in American history, and some were prepared to be discussing Puritan jeremiads right off the bat while others were not. This year I’ll have an additional hour each week, and I think I’ll use it to do a little more scene-setting and framing. What I hope to do is to use the last third of each class to talk about the place and time we’ll be discussing the following week, so that my lecture precedes the readings and orients students to them.

But the big themes did emerge—some planned, some unplanned. And the students got very good at making their own connections across time. I’ve never been more proud of my students than I was on the day it occurred to them—a day one of my senior colleagues was observing the class, no less—that The Electric Kool-Aid Acid Test is both about a kind of jeremiad and a jeremiad itself. “Ken Kesey is Increase Mather!” said one student. “You just blew my mind,” said another.

I won’t change the course too much next year, but I think I will swap out a few of the units, just to keep things fresh. I’d really like a unit that let us do some traditional political history—a key Supreme Court decision or a moment in constitutional history that still fits into the “place in time” paradigm. I won’t agitate KC Johnson by even pretending this is a political history course, but classic political history topics—checks and balances, the Constitution, the various two party systems—came up in our discussions again and again. My students were particularly struck (as other Canadians studying the U.S. have been) by American reverence for the Constitution and its relevance to all manner of contemporary debates. Appealing to the intentions of long ago founding fathers is a rhetorical move that few modern Canadians would think to make. I’d like a little more emphasis on women’s history too. There were a number of weeks where women’s experiences were at the center of our discussions, but we could have done more to make this a thread running through the course rather than a topic we visited a couple of times a term before moving on.

If you’ve made it to the end of this post, I’d love to hear your suggestions for other places and times that would be interesting to study. Or if you study other parts of the world, I’d love to hear the places you might visit or the topics you might cover in an anthology-style course.

Cross-posted to Old is the New New.



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Oscar Chamberlain - 5/31/2006

Casablanca can work well. For the obvious angle of effective propaganda, just use the opening from title credits, though the "newsreel" montage to the death of the patriot at the foot of a Petain poster.

More subtly, gender and racial themes abound. Rick may say that he does not buy and sell humans, but at the end of the movie he sells Sam with the bar to the Fat Man (though Sam does get a raise)


Rob MacDougall - 5/31/2006

Thanks, Caleb.

re Philadelphia: You've perceptively hit upon one of the weeks where the local connection was weakest. Originally I'd planned to do antebellum New York that week. I wanted to get into the sort of rowdy, Jacksonian-era working-class culture that was a counter to the benevolent empire of northeastern middle-class Protestant reform we'd talked about the week before. I thought we'd talk about blackface minstrelsy, saloons, Gangs of New York, volunteer fire companies as violent ethnic protection rackets, Civil War draft riots, that sort of thing. At the last minute I came upon Noel Ignatiev's How the Irish Became White, which is set in Philadelphia, and I liked it, so I changed that week to Philadelphia from New York. But I didn't do as much to really root the discussion in Philly as I did for other weeks.

Suggested times: Great suggestions! I particularly like California 1849. (My Burned-Over District unit basically did include Seneca Falls, but I was actually thinking of renaming it to emphasize the 1848 women's rights convention a little more.)


Rob MacDougall - 5/31/2006

You're quite right. I used clips from a few of the more obvious films this time around (Birth of a Nation, Grapes of Wrath) but I definitely want to work more films into this course next year.


Rob MacDougall - 5/31/2006

That's a great idea, Ralph, though it would take someone with better intellectual history chops than I to design the syllabus. There's also the cluster of Chicago school sociologists around Dewey (with a Canadian connection that runs from Chicago to Harold Innis to Marshall McLuhan) and of course Menand's Metaphysical Club.


Rob MacDougall - 5/31/2006

Thanks, Leslie, Oscar: We are thinking along similar wavelengths - my class did indeed look at the 1893 Columbian Exposition, in our week on Chicago. A theme that week was the city in American thought, as reflected in the White City of the Fair, the Midway, and Chicago itself.

I wanted to do the 1939 World's Fair too, especially after reading this book, but just didn't fit it in. One could probably do a whole course on America through its fairs (world, state, and local).


Oscar Chamberlain - 5/31/2006

I second Leslie's suggestion about the Columbian expedition. In fact, World's Fairs in general have a great deal of potential in helping students see what at least some Americans thought their present and near future would be like. The 1939 World of Tomorrow exhibit is the obvious example of that, but all fairs had a technological emphasis.

Also, given the Canadian context, you could begin quite logically with the Crystal Palace to show how th eAmerican ehibitions were designed to both imitate and surpass the Old World.


Caleb McDaniel - 5/31/2006

The course sounds great, Rob. I love the idea of an anti-survey, and I think you're right that taking the local, microhistorical route can be as fruitful as taking the global, transnational one. Last night I was laying awake in bed planning a similar dream course titled (provisionally, of course) "Legendary Americans," which would use individual people, rather than places and times, to think about some of the questions you're raising. The idea would be to pick "larger than life" figures like Pocahontas, George Washington, Robert E. Lee, Davy Crockett, Harriet Tubman, Rosa Parks, etc., and then look closely at how and why the complex sets of myths surrounding these people were constructed, both in scholarship and in popular culture. Whereas your course focuses on the "what is America?" question, this one might usefully probe the question of "who is an American?"

You have piqued my curiosity about one of the places on your list: Philadelphia in the antebellum period. I'd love to hear more about what you do with that. Re: other potential places. Maybe Seneca Falls, 1848? Or the California gold mines, 1849? Harpers Ferry, 1859? The great thing about the "anthology" approach that you've outlined is that you can keep the course fresh for you by throwing in a few new units every time you run it.


Michael R. Davidson - 5/31/2006

Rob,

Rather than place or time, I would suggest a different theme.

I teach an interdisciplinary course on '"History" Films, Mass Media, and Popular Perception', which reached its fourth incarnation last fall. The course's initial spark came from my experience as a TA at the U. of Edinburgh, dealing with the repeated hijacking of my Medieval History sections shortly after _Braveheart_ appeared in the theatres.

It was not until the third time I had taught the class, during a vigorous exchange led by several feminist students on the relative activity/passivity, and sexualization of the female leads in _Quo Vadis_ (1951) and _Braveheart_ that I realized that I had in effect blundered into teaching an American Studies course.

Even beyond the blatantly obvious "Film as Text" movies like _Dr. Strangelove_, one could easily put together a course which focuses on American movies as commentary on (then) current gender/racial/class roles.

Cheers,
Mike Davidson


Ralph E. Luker - 5/30/2006

Rob, At one point, I was on my way to doing this kind of thing in an American intellectual history course, where I sought to identify what I would call vital clusters of intellectual engagement. I did not teach it long enough to work the whole thing through, but one I was particularly intrigued by was Franz Boas's teaching at Columbia in the 1920s, when he had Ruth Benedict, Zora Neal Hurston, and Margaret Mead as students.


Leslie Madsen-Brooks - 5/30/2006

Your course sounds interesting!

I'm teaching an American Studies course on the 1890s, and my students have been especially interested in the Columbian Exposition and in the history of cities with which they're familiar but which don't usually show up in their high school history books. So while we took a glimpse at Riis's photographs, we also looked at Genthe's photos of San Francisco (since may of my students are from the Bay Area). They also seemed to be really interested in Native American boarding schools.