Blogs > Cliopatria > Does ANYONE look good in a Powdered Wig?

Feb 28, 2007

Does ANYONE look good in a Powdered Wig?




David Denby, in the New Yorker, concludes his review of the forthcoming feature film Amazing Grace on this sad note:

In this country, we have great actors, but not these kinds of great actors—men and women who can play historical figures and hold to formal syntax without losing their sense of play. Our founding crew of statesmen and intellectuals were no less gifted than Pitt and Wilberforce, but, despite an endless number of best-selling books about them, there isn’t a single good movie devoted to their efforts. At this point, no one can look at an American in a powdered wig without laughing. Popular culture and the democratization of taste and style have made our history irredeemable as entertainment—which is a loss, though I don’t suppose anyone will do much about it.


Leaving aside the slam on American actors, Denby seems to be on the mark about the lack of movies addressing America's foundational years. I remember that horrid Patriot starring the sadomasochism of Mel Gibson. But, I can't actually think of any other. Nor can I think of any major bio-pics on the Founding Fathers (this was colonial and postcolonial but not continental).

If there are endless number of best-selling books about them, why aren't there any movies? Is the foundational narrative of this nation calcified in popular history and memory? Or is it the powdered wig?


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William Harshaw - 3/1/2007

Won the Pulitzer. Of course, it was a musical, then made into a movie


Alan Allport - 3/1/2007

There is also Revolution, starring that notable Founding Father Al Pacino.


Chris Bray - 3/1/2007

Given that Cold Mountain had southern slaveholders delicately doting on their slaves ("I was just taking some root beer to the Negroes"), I'm pretty grateful that Hollywood prefers to leave history alone. And then there was the movie in which Thomas Jefferson was played by...

Nick Nolte. Yeah.


Jonathan Dresner - 2/28/2007

It seems to me that some really good movies could be made even with the costumery. I'm thinking of the Depardieu movie Danton, for example (I wish I had the time to show that in my World History classes, but then I'd have to leave out most of Africa, or WWI).

These guys had duels, for crying out loud, and commanded troops in the field. How can that not be cinematic?

You might think that it's because they're afraid of offending someone, but that doesn't stop Hollywood from making Civil War movies, which are almost inevitably going to tick off a chunk of the population.