Weak Endnotes

seeks hosts for both its ancient/medieval and its early modern editions of the festival. If you are interested, contact Julie Hofman and Sharon Howard at carnivalesque *at*earlymodernweb*dot*org*dot*uk.

Laura Miller,"History is bunk after all," Salon, 9 July, and Jonathan Yardley,"Getting History Right," Washington Post, 12 July, review Margaret MacMillan's Dangerous Games: The Uses and Abuses of History.

Holland Cotter,"Mysterious Moods, Elusive in Marble," NYT, 9 July, reviews"An Antiquity of Imagination: Tullio Lombardo and Venetian High Renaissance Sculpture," an exhibit at the National Gallery of Art in Washington, DC.

250 years later, at Christopher Moore's Canadian History, he's live-blogging the siege of Quebec. It begins on 3 July and continues with daily entries.

Charles McGrath,"Second Wind for a Toad and His Pals," NYT, 9 July, reviews the two new critical editions of Kenneth Grahame's The Wind in the Willows.

Catherine Merridale,"All Wood and Dreams," Literary Review, July, reviews Norbert Lynton's Tatlin's Tower: Monument to Revolution.

Stefan Fatsis,"'No Man Got to Be Common'," Washington Post, 8 July, reviews Larry Tye's Satchel: The Life and Times of an American Legend.

David Carr,"Taking Down Big Game With a Crusading Pen," NYT, 9 July, reviews D. D. Guttenplan's American Radical: The Life and Times of I. F. Stone.