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exhibits



  • Hugh Ryan: How to Whitewash a Plague

    Hugh Ryan is a freelance writer and the founding director of the Pop-Up Museum of Queer History.THE New-York Historical Society’s current exhibition “AIDS in New York: The First Five Years” accomplishes a neat trick: it takes a black mark in New York City’s history — its homophobic, apathetic response to the early days of AIDS in the early 1980s — and transforms it into a moment of civic pride, when New Yorkers of all stripes came together to fight the disease. It’s a lovely story, if only it were true.To judge from the opening animation — a short video titled “What is AIDS?” — this show is aimed at AIDS neophytes, and as an informational vehicle it succeeds. Many of the images and ephemera are powerful testaments. But such details sit against an apologist backdrop that sees the city through rose-tinted glasses.



  • Hindenburg ticket goes on view

    “None of us know the Lord’s will,” Burtis J. “Bert” Dolan wrote to his wife about his journey on the new airship, the Hindenburg. He had purchased his ticket for the trip on May 1, 1937, two days before setting off from Frankfurt, Germany. It cost him 1,000 RM, equivalent to about $450 during the Great Depression, according to the National Postal Museum. His ticket survived the disaster on May 6, 1937. He did not. He died, along with 35 others.The exhibit, “Fire and Ice,” which opened in spring 2012 for the 75th anniversary, included never-before-seen discoveries like the map of the Hindenburg’s route across the Atlantic, but now, thanks to the Dolan family, it will also include what may be the only surviving passenger ticket from the disaster....