(Reuters) - Mist clears to reveal white marble images from classical Greece culminating in Myron's celebrated statue of an athlete poised to launch a discus in the prologue to Leni Riefenstahl's remarkable documentary film "Olympia".

The statue rotates and melts into an identical image of a contemporary discus thrower. It is succeeded by further paeans to the sculptured Greek ideal of physical beauty with pictures of a shot putter, a javelin thrower and rhythmic gymnasts.

Finally, flame floods the screen followed by a bare-chested runner embarking on the first torch relay of the modern Olympics....