Black-Oriented Museums Are Lacking Black Donors
Lonnie Ali, the boxing champ's wife, could barely hold back tears as she stood in the shadow of the $75 million center, with its soaring butterfly roof and its dozens of exhibits, replete with LeRoy Nieman paintings of "the Greatest" in his glory days.
The dream, however, has received little financial support from prominent black Americans. After a two-year campaign, only one monied black contributor, ex-heavyweight champion Lennox Lewis, who is British, gave a substantial amount, $300,000.
The Ali Center's experience is not unique. In recent years there has been a proliferation of black-oriented museums, memorials and cultural centers that cost millions to run. But some museum executives wonder how well they will fare when several existing institutions are struggling and corporate sponsorships often do not cover the costs of day-to-day operations. Among the problems, some experts say, is a lack of contributions from black people -- especially prominent entertainers and athletes -- whose history is celebrated by these institutions.
"We have yet work cut out for us to cultivate the interest of African Americans and athletes of many cultures," said Michael Fox, executive director of the Ali Center. "It hasn't happened yet at the level we expected. I think it has been a disappointment to date."
To be sure, black people are, in fact, generous when it comes to charitable contributions. A 2003 study reported in the Chronicle of Philanthropy noted that black Americans who give to charity donate 25 percent more of their discretionary income than white donors.
In the Coalition for New Philanthropy's 2004 study of minority giving in the New York City area, black Americans of all age groups contributed just slightly more than the nation's other two major ethnic groups, Latino and Asian. But art museums and cultural centers were low on the priority list of all minority groups.
As the Ali Center fundraisers discovered, their money goes instead to churches, schools and scholarships.
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