Confederates in the CapitolRoundup
tags: memorials, statues, Confederacy, US Capitol
William Hogeland is the author of books on the U.S. founding period and a collection of essays on public history, including Autumn of the Black Snake and The Whiskey Rebellion.
Eleven statues of Confederate officers, including Robert E. Lee and Jefferson Davis, stand in the National Statuary Hall Collection in the U.S. Capitol. In response to House Democrats’ recent effort to fast-track their removal, Senator Mitch McConnell and other rearguard cultural defenders have said that to do so would erase history.
Many Americans are startled to learn that Confederate statues are in the Capitol at all. On Twitter, this surprise has often taken the form of a question: “Why in the hell are there Confederate statues in the Capital?” “Wait—there’s a statue of Jefferson Davis, Alexander Stephens and nine other confederates in the US Capitol building?” “Good Lord, what are they doing there?”
Good questions. Amid the widespread defacings, topplings, and official removals of statuary representing not only enslavers but also racist leaders of many kinds, the presence there of Confederate monuments—not in former slave states but in the seat of the government that the Confederacy fought—seems bizarre indeed. People who remember, as I do, seeing the statues on childhood visits to the Capitol will be less surprised, but I suspect that even we have thought little about the National Statuary Hall Collection’s contents, or even its existence. A large, oddball batch of mostly old memorials, the collection is centered in the National Statuary Hall, beside the Rotunda, and scattered about in other rooms; many of its subjects are at best obscure. At first glance, the collection might seem, aside from the outrageous presence of the Confederacy, innocuous enough, if a bit antique.
But the stark reality is that the U.S. government’s peculiar relationship to the Civil War made those Confederate statues a defining feature of the whole National Statuary Hall Collection—a fulfillment, even, of what became its purpose. What Confederate figures are doing in the collection is worth knowing, because it bears on larger, even more unsettling political and cultural processes that have marked U.S. public discourse regarding race and racism in the past three centuries.
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