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film



  • Fact and Fiction in "The Last Duel"

    by Sara McDougall and David Perry

    "The film effectively depicts the violence embedded in medieval ideas of elite masculinity while taking historical liberties when it comes to the real nature and function of trials by combat, or how rape accusations worked in medieval Europe."



  • Why Hollywood Can't Change a Diaper

    by Janet Golden

    While Hollywood portrayals of motherhood have adapted to incorporate single and working mothers, popular culture images of fatherhood have remained stubbornly stuck in the past. Would supports for child care and parental leave in the budget reconciliation bill help bring movie dads up to date? 



  • In Slasher Film ‘Candyman,’ the Horror Is U.S. Housing Policy

    by Brentin Mock

    “Candyman isn't the only ghost in this show,” says Stanford Carpenter, a cultural anthropologist based in Chicago. “The other ghost is Cabrini-Green. In both cases, the thing that makes them scary is that they were made that way by white systemic racism.”



  • What Connects 2021's "Stillwater" and 1979's "Norma Rae"?

    by Aimee Loiselle

    Both Amanda Knox, an American student accused of murder in Italy, and Crystal Lee Sutton, the southern labor organizer portrayed in "Norma Rae," have challenged the way that Hollywood films have reinterpreted their stories for commercial gain. 



  • Women Dominate One Academy Award Category. Here’s Why

    by David Resha

    Women have dominated the Documentary Feature category at the Academy Awards, and have indeed shaped the genre from the beginning. But this reflects the fact that the film industry has been more willing to entrust leadership to women in the low-cost, low-stakes environment of documentaries than in feature film.