art history

• 
• 2/26/2023
  

  Kara Walker Disrupts the Visual History of the Civil War in New Exhibition

  by Allison Robinson and Ksenia M. Soboleva

  The artist Kara Walker's 2005 series of prints merged the historical illustrations that shaped Americans' understanding of the Civil War in its immediate aftermath and in the 1890s with her original subversive take on the tradition of silhouette art to highlight the erasure of Black experiences of war. Two curators are putting Walker's work in context in a new exhibition.

• 
• 2/12/2023
  

  Light and Obliquity: Edward Hopper at the Whitney Museum

  by Sam Ben-Meir

  The Whitney's retrospective shows works by the painter that depart from the aesthetics of film noir and focus on the alienation and impersonalization of city life. 

• 
• SOURCE: Jacobin
  1/28/2023
  

  Glenda Gilmore's Bio Shows Artist Romare Bearden Reckoning with the South

  "Gilmore sets a timeline, critiques some striking artworks, and leaves the reader wondering why hardly anyone writes about art this succinctly."

• 
• SOURCE: Dallas Morning News
  1/16/2023
  

  Islamic World Scholar: Hamline Mistaken to Fire Instructor

  by Ahmad Sadri

  Hamline University deprived its students—including Muslims—of the chance to learn about a multiplicity of views within the faith. 

• 
• SOURCE: Chronicle of Higher Education
  12/29/2022
  

  Most of All, Hamline's Decision Offends Me as a Muslim

  by Amna Khalid

  Hamline University, in firing an art history instructor for showing an image of the Prophet Muhammad (with a content warning, in an optional exercise), has not only exemplified how risk-averse bureaucracies use inclusive language to dismiss faculty expertise, it also insulted Muslims by associating a vast and diverse set of cultures with fundamentalist theology. 

• 
• SOURCE: New York Times
  11/28/2022
  

  Will the Era of the Butt Ever End?

  Heather Radke's "Butts: A Backstory" isn't (just) a provocation, but a carefully researched study of how bodily ideals and attractiveness are constructed and reproduced in societies. 

• 
• SOURCE: Seattle Times
  9/16/2022
  

  New York Museums to Disclose Provenance of Pieces Looted by Nazis

  The Metropolitan Museum has currently identified 53 works as seized or sold under duress by Nazis. It is unclear how many more it will identify in response to a new state law requiring the display of those pieces to disclose the conditions of acquisition. 

• 
• SOURCE: Al Jazeera
  9/15/2022
  

  Benin Bronzes Have Final German Exhibition Before Repatriation

  "'The recognition of the colonial injustices and the subsequent return of the items “will continue to define our work in the future,' Hermann Parzinger, the president of the Prussian Cultural Heritage Foundation."

• 
• SOURCE: Smithsonian
  8/1/2022
  

  Vivien Green Fryd Awarded Eldredge Prize for Book on Sexual Trauma in American Art

  The prize jurors noted the publication stands out given its “academic rigor, historical understanding and contemporary relevance that characterize the highest achievements in our field.”

• 
• SOURCE: Public Domain Review
  7/21/2022
  

  Picturing Scent: The Tale of a Beached Whale

  by Lizzie Marx

  17th century Dutch art developed a particular visual language for conveying the experience of smell. 

• 
• 5/29/2022
  

  A History of Art for Our Times

  by Charlotte Mullins

  The classic works of art history tell a story of great artists, overwhelmingly European and male. The author's new history refocuses the narrative on the diverse networks of creators through which art is made – networks crossing lines of geography and including women artists and artists of color. 

• 
• SOURCE: Forbes
  5/1/2022
  

  After COVID Delay, Controversial Philip Guston Exhibit Opens in Boston

  Guston's blunt imagery, including Ku Klux Klan figures, arguably interrogates his complicity as a white artist in ongoing racism. Is it offensive to contemporary museum audiences? 

• 
• SOURCE: The Conversation
  4/7/2022
  

  "Is It Cake?" is Brain Candy for Pandemic-Weary, but also Part of Long History of Visual Illusion

  by Maggie Cao

  "At a time when we often don’t know if what we encounter on our screens can be trusted, it feels good to alleviate those anxieties with a show in which the only consequence of being fooled is cutting into a shoe that we assumed was a cake."

• 
• SOURCE: The Atlantic
  4/6/2022
  

  Winslow Homer: The Melville of American Panting

  by Susan Tallman

  A new exhibition reframes Homer, once seen as a visual poet of American innocence, as an artist who grappled with the bitter conflicts at the heart of the nation. 

• 
• SOURCE: Los Angeles Review of Books
  3/12/2022
  

  Erin Thompson's "Smashing Statues": Tear 'Em All Down

  How does taking down a statue relate to the more complicated work of eliminating the racist ideas and structures that put it up? 

• 
• SOURCE: Washington Post
  3/8/2022
  

  Smithsonian to Return All Benin Bronzes

  The Smithsonian will return works that it has legal title to own but that are linked to an infamous British raid on Benin City in 1897.

• 
• SOURCE: Hyperallergic
  

  Mississippi Museum of Art Exhibition Opens on Legacies of Great Migration

  Opening April 9, this exhibition features newly commissioned works by 12 acclaimed Black contemporary artists, including Carrie Mae Weems, Theaster Gates, and more.

• 
• SOURCE: Observer
  1/24/2022
  

  Art Historians Shake Up Narratives on TikTok

  "TikTok’s art historians are using the platform to explore points of view often excluded in more established spaces like galleries and museums."

• 
• SOURCE: Forward
  1/17/2022
  

  Will SCOTUS Uphold Claim of Heirs for Return of Pissarro Painting Stolen by Nazis?

  Lower courts have agreed with the Spanish government that US courts are not empowered to adjudicate claims of looted art; if the Supreme Court agrees it could chill further attempts to use American law to return artworks stolen from Europe's Jews by the Nazis. 

• 
• SOURCE: WGBH
  1/4/2022
  

  New Boston MFA Exhibit Shows Museum's Complex History of Censoring Queer Desire

  by Erin L. Thompson

  "When I first visited Boston’s Museum of Fine Arts, as a young and deeply closeted queer college student, I found myself wondering if the museum possessed ancient Greek vases decorated with anything other than sex scenes."